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Archive for December, 2011

2011 As Told With Legos

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UK news publication The Guardian collected this gallery of photos of newsworthy events from 2011 reenacted with Legos.  While I’ve seen a lot of year-end round-ups floating around (as with every year at this time), none struck me as entertaining as this. Also, one of the photos in the gallery seems to be from the same Occupy Wall Street Lego piece we posted about from Zucotti Park earlier this year.

Although, they’re missing some arguably major events (read: Gabrielle Giffords shooting, Snowpocylapse, Egyptian protests, Joplin tornado, gay marriage in New York, Hurricane Irene, 10th Anniversary of 9/11, floods in Thailand, etc.), the results are nonetheless clever and poignant. Besides, the world looks like more fun through Lego colored glasses.

Are there any events from 2011 you’d like to see recreated in Lego?

[viaNeatorama]

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Dueling Artists Collaborate

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This animated short film is directed by Sean Mullen for Giant Creative animation studio. It depicts two artists having canvas envy, with each attempting to one-up the other while painting a sunset. Without giving too much away, it results in an inadvertant collaboration.

Sometimes collaboration is by careful cooperation; other times it is by beautiful accident.

This video’s theme indirectly reminds me of a recent referential game of catch between Jailbreak Collective collaborator Jason Freeny and the artist Ron English. Stay tuned for more about Jason Freeny as we gear up to release his exciting CAPSL designs in the new year.

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Amazing Kite Sculpture

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This giant flying sculpture, titled “Little Shining Man,” was conceived by Heather and Ivan Morrison as part of a collaboration with Sash Reading. Queen and Crawford fabricated and hand assembled the 23,000 individual components, consisting of carbon fiber rods, 6,000 3-D printed joints, and Cuben Fiber. Check the video below to see it gracefully take flight.

Three Cubes Colliding from Jimandtonic on Vimeo.

 

 

 

Mannequin-Made Box Chair

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These eccentric looking chairs were created by Tarazi Design Studio by filling a female mannequin with cement and dropping it repeatedly on a perforated metal trapezoid until it formed the shape of a chair. Each drop created a different indentation, which would, in turn, make each chair entirely unique. This is a fun sort of intuitive, but traditionally reverse, design. Rather than making a chair to look like the generally accepted image of a chair and have a person retroactively test to see how it fit, it’s making a a chair by pushing a person-shaped-thing into a material that contours to the body. It would be nice to see other industries pick up on this proactive ergonomic concept. If so, perhaps someone could make ear buds that actually comfortably fit a person’s ears, for instance.

 

[via Design Taxi]

Weapons Made of Harmless Materials

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Artist Kyle Bean made these weapons out of harmless materials for a collection he titled “Soft Guerilla” for a spread in CUT Magazine. My favorite, by far, is the jello grenade, but I’ve got to admit that the melty popsicle time bomb is making me wish it were a warm summer day. Pretty cool stuff and a smart concept.

 

 

Banksy Mobile

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Infamous and controversial street artist, Banksy posted this CCTV mobile - just in time for the holiday season. You know, for kids. It’s a DIY project “not available in the shops.” All you need is some “wood, string, plastic tube, nails, [and, of course,] lead paint.” In keeping with Banksy tradition, the inherent commentary here is pretty thick. “Total assembly required. Keep out of reach of children.”

 

Human Water Rocket

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Now here’s an idea: take a Jet Ski, reroute the pump jet through a hose, channel the hose into a jet pack, strap it on your feet and arms and take off like a human dolphin. Apparently someone read one too many Iron Man comics or watched The Rocketeer and lightning eventually struck. “Why can’t we do that with water?” This seems like the essential idea behind French company Zapata Racing‘s Flyboard. Even the pros in the video don’t make it seem easy to control, but it still looks like one hell of a fun ride.

Occupy Cybertron

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These figures by self-described “Evil Arts Organization” Suckadelic depict a Cybertron version of the Occupy Wall Street conflict. With obvious references to the classic Transformers tussle of Autobots (the 99%) vs. Decepticons (the 1%), Sucklord is the leader of the 1%’s battle for cyber domination over occupation. These were released at a show yesterday on the Lower East Side, complete with accompanying trading cards.

My only question is, in the war for a fair shake, the Decepticons have Megatron played by, perhaps, Goldman Sachs, but does OWS have an Optimus Prime? I guess I always pictured the OWS answer as more of a Voltron-type mashup of powers. Regardless, I like the metaphor.

 

 

[via The World's Best Ever]

 

Art School PSAs

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This series of ads was designed by Team Detroit for an enrollment campaign for Detroit’s College of Creative Studies. They cleverly depict teens in situations common to anti-drug PSAs. The art direction and production value of these is pretty fantastic. I’ve included some of my favorites below, but you can check out a few others here. I wish more schools would be so creative in their advertising. These keep it edgy while targeting parents to confront their kids and encourage them to follow their real passions. “I learned it by watching you, alright!” Good stuff.

 

Hercules Stool

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I couldn’t help being drawn to this stool made by British environmental design studio, FAT. It’s made of soft foam rubber (like a stress ball) and appears more or less actually comfortable. I tend to like the idea of this quite a bit: take a classical icon like Hercules, known for his power and godlike stature, his image often made of stone, towering over viewers of his effigy in a sculpture garden somewhere, but make his bust into something as common as a comfy place to sit. From the product description:

“The bust of Hercules, usually something solid both in its material and the culture it represents becomes unexpectedly soft, deforming a recognizable object into stranger shapes when it is sat on. It uses the plasticity of rubber to suggest a more uncertain and doubtful state.”